Beethoven, Isaac Stern Leonard Bernstein Conducts New York Philharmonic - Violin Concerto In D Major
Review by Katharina Saxo
The album Violin Concerto In D Major by Beethoven, Isaac Stern Leonard Bernstein Conducts New York Philharmonic is a masterpiece of classical music. The combination of Beethoven's exceptional composition skills, Isaac Stern's virtuosic violin playing, and Leonard Bernstein's conducting prowess results in a truly outstanding musical experience.
The album features the Violin Concerto in D Major, which is widely considered as one of the greatest works of the violin repertoire. The New York Philharmonic's performance, under the baton of Leonard Bernstein, is nothing short of magnificent. Bernstein's interpretation of the piece is both powerful and nuanced, bringing out the full range of emotions in Beethoven's music.
Isaac Stern's violin playing is equally impressive. His technical skill and musicality are on full display in this recording, and his interpretation of the concerto is both thoughtful and passionate. His performance of the cadenzas is particularly noteworthy, showcasing his virtuosity and musicality.
Album: Violin Concerto In D Major
Table of Contents
Download
Filename: beethoven-isaac-stern-leonard-bernstein-conducts-new-york.rar- MP3 size: 24.8 mb
- FLAC size: 200.4 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| II- Larghetto | ||
| III- Rondo (Allegro) | ||
| I- Allegro | ||
| Concerto In D Major For Violin And Orchestra, Op. 61 |
Video
Beethoven-Violin Concerto in D Major Op 61 (Complete)
Images
Catalog Numbers
ML 5415Labels
Columbia MasterworksListen online
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Formats
- Vinyl
- LP
- Album
- Mono
Credits
| Role | Credit |
|---|---|
| Conductor | Leonard Bernstein |
| Liner Notes | Charles Burr |
| Orchestra | The New York Philharmonic Orchestra |
| Violin | Isaac Stern |
Barcodes
- Matrix / Runout: XXLP48036-1A
- Matrix / Runout: XXLP48037-1E
About Beethoven, Isaac Stern Leonard Bernstein Conducts New York Philharmonic
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria.
A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music.
Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph.
Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.
Real Name
- Ludwig van Beethoven
Name Vars
- BEETHOVEN
- Beeshoven
- Beeth.
- Beethofen
- Beethovan
- Beethovania
- Beethove
- Beethoveen
- Beethoven
- Beethoven - Бетховен
- Beethoven L. Van
- Beethoven L. v.
- Beethoven L.V.
- Beethoven Ludwig
- Beethoven Ludwig Van
- Beethoven Ludwig van
- Beethoven Van L.
- Beethoven Van Ludwig
- Beethoven's
- Beethoven, L. van
- Beethoven, L.V.
- Beethoven, Ludvig Van
- Beethoven, Ludwig Van
- Beethoven, Ludwig van
- Beethoven, Ludwig von
- Beethoven, van Ludvig
- Beethoven,L.V.
- Beethoviana
- Bethofen
- Bethoven
- Bethovena
- Bethovenas
- Betoven
- I.Ivan B
- L Beethoven
- L V Beethoven
- L Van Beethoven
- L v Beethoven
- L v. Beethoven
- L van Beethoven
- L-V-Beethoven
- L. Beethoven
- L. Beethoven
- L. Bethoven
- L. Bethovenas
- L. Betoven
- L. Bēthovens
- L. V . Beethoven
- L. V Beethoven
- L. V. Beethoven
- L. V. Beethiven
- L. V. Beethoven
- L. V. Bethoven
- L. V. Betoven
- L. V.Beethoven
- L. Van B.
- L. Van Beethoven
- L. Van Beetrhoven
- L. Van Bethovenas
- L. Van Betoven
- L. Van Bēthovens
- L. Von Beethoven
- L. W. Beethoven
- L. W. Bethowen
- L. v Beethoven
- L. v, Beethoven
- L. v. Beethoven
- L. v. Betoven
- L. v. Betthoven
- L. v.Beethoven
- L. van B.
- L. van Beethoven
- L. van Bethoven
- L. van Bethovenas
- L. van Bethovens
- L. van Betoven
- L. van Bēthovens
- L. van. Beethoven
- L. von Beethoven
- L.-V. Beethoven
- L.Beethoven
- L.V Beethoven
- L.V. Beethoven
- L.V. Betoven
- L.V.Beethoven
- L.V.Bethoveen
- L.V.Betoven
- L.V.Bēthovens
- L.V.ÙüÈüÙó
- L.Van Beethoven
- L.Von Beethoven
- L.W. Beethoven
- L.W. van Beethoven
- L.v Beethoven
- L.v. Beethoven
- L.v.Beethoven
- L.v.ÙüÈüô§ó
- L.van Beethoven
- L.w. Beethoven
- LV Beethoven
- LVBeethoven
- Louis van Beethoven
- Lu. v. Beethoven
- Ludqig Van Beethoven
- Ludvig Van Betoven
- Ludvig V. Beethoven
- Ludvig Van Beethoven
- Ludvig Van Betoven
- Ludvig Von Beethoven
- Ludvig van Beethoven
- Ludvig van Betoven
- Ludvig von Beethoven
- Ludvigs van Bēthovens
- Ludw. V. Beethoven
- Ludw. Van Beethoven
- Ludwig
- Ludwig Beethoven
- Ludwig One Beethoven
- Ludwig V. Beethoven
- Ludwig Van
- Ludwig Van B.
- Ludwig Van Beethofen
- Ludwig Van Beethoveen
- Ludwig Van Beethoven
- Ludwig Von Beethoven
- Ludwig v. Beethoven
- Ludwig van Beethofen
- Ludwig van Beethoven
- Ludwig van Beethoven (II)
- Ludwig van Beethoven, 1770-1827
- Ludwig von Beethoven
- Ludwig von Douchebag
- Ludwin Van Beethoven
- Ludwin van Beethoven
- Luis Van Beethoven
- Lv Beethoven
- LvB
- Mozart
- The Concertos
- V. Beethoven
- V. Beethoven, L.
- V.Beethoven
- Van Beethoven
- Van Beethoven Ludwig
- Van Beethoven, Ludwig
- beethoven
- v. Beethoven
- v.Beethoven
- van Beethoven
- van Beethoven, L.
- van Beethoven, Ludwig
- Μπετόβεν
- Бетховен
- Бетховен Людвиг Ван
- В. Бетховен
- Л. Бетговен
- Л. Бетовен
- Л. Бетховен
- Л. Бетховен - Anatoly Nikitin - Felicia Fondaminskaya
- Л. В. Бетховен
- Л. Ван Бетховен
- Л. в. Бетховен
- Л. ван Бетховен
- Л.Бетховен
- Л.В. Бетовен
- Л.В. Бетховен
- Л.В.Бетховен
- Лудвиг Ван Бетовен
- Лудвиг ван Бетовен
- Лудвиг ван Бетховен
- Людвиг Бетховен
- Людвиг В. Бетховен
- Людвиг Ван Бетовен
- Людвиг Ван Бетховен
- Людвиг в. Бетховен
- Людвиг ван Бетховен
- Людвіг ван Бетховен
- Людиг ван Бетховен
- בטהובן
- ל. ו. בטהובן
- ל. ואן בטהובן
- بتهوفن
- بتهوون
- بيتهوفن
- بيتهوڤن
- لودویگ وان بتهوون
- ÙüÈô§ó
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Summary by Katharina Saxo
Comments
great
1. Bernstein has total control of the BPO, one of the finest orchestras in the World on its home soil.
2. Stern of NYPO is a master of his instrument.
3. This is the Deutsche Grammophon original version from the vynyl.
Play the original on vinyl, through a real Hi-Fi system and you have perfection not yet achieved by digital.
2. Stern of NYPO is a master of his instrument.
3. This is the Deutsche Grammophon original version from the vynyl.
Play the original on vinyl, through a real Hi-Fi system and you have perfection not yet achieved by digital.
Fabulous!
In the mid-1970s, I was very fortunate to be attending a conference in Boston. One major reason for this good fortune: the colleagues I was with got tickets for all of us to attend two performances by the Boston Symphony Orchestra, both with Seiji Ozawa conducting. The second performance "centerpiece" was this very work, and with Isaac Stern as the soloist. The first movement came across as beautifully measured, a wonderful partnership between soloist and orchestra. The second movement--on the surface a seemingly lazy--no, more dreamlike--offering, quite ethereal, calming and soothing.
But the moment Stern began the Rondo, it was as if a jolt of electricity struck every person in the concert hall. Stern's playing was superb, at once emotional, a bit playful, and thoroughly engrossing. Stern as soloist, to me, appeared to be leading the orchestra through an exquisite musical conversation. When Stern, Ozawa, and the BSO ended that concerto with that wonderful final flourish, a split second of silence, and then the entire audience erupted. Applause, roars of approval that went on for several minutes. If my memory remains intact, Stern and Co. got a much-deserved standing ovation. If any one thing cemented my now-decades-long love of classical music, that particular performance was--is--it.
At the time I was told this particular performance was recorded for a television broadcast to be aired a short time later. Sadly, I was never able to find let alone view this recording, if it was in fact made. If anyone knows of or has a copy of this particular performance, please let me know.
Since then I have at least relived that memory many times over the years, especially when listening to this wonderful Beethoven work. Stern, Ozawa, and the BSO gave me one of the best musical experiences I have ever had.
But the moment Stern began the Rondo, it was as if a jolt of electricity struck every person in the concert hall. Stern's playing was superb, at once emotional, a bit playful, and thoroughly engrossing. Stern as soloist, to me, appeared to be leading the orchestra through an exquisite musical conversation. When Stern, Ozawa, and the BSO ended that concerto with that wonderful final flourish, a split second of silence, and then the entire audience erupted. Applause, roars of approval that went on for several minutes. If my memory remains intact, Stern and Co. got a much-deserved standing ovation. If any one thing cemented my now-decades-long love of classical music, that particular performance was--is--it.
At the time I was told this particular performance was recorded for a television broadcast to be aired a short time later. Sadly, I was never able to find let alone view this recording, if it was in fact made. If anyone knows of or has a copy of this particular performance, please let me know.
Since then I have at least relived that memory many times over the years, especially when listening to this wonderful Beethoven work. Stern, Ozawa, and the BSO gave me one of the best musical experiences I have ever had.
Inga Nanau
I would love to get briefly in touch with Nancy Phillips if that is not too much of an inconvenience.
Thank you for your consideration!
I would love to get briefly in touch with Nancy Phillips if that is not too much of an inconvenience.
Thank you for your consideration!
This is my favorite recording of this concert. The performance of the maestro Isaac Stern is simply fabulous.
Masterpiece, played by a great violin player!
41:28
What I really love about this is the stereo. The playing both of soloist and orchestra is unmatched But listening to this on headphones with half the orchestra (timps etc) in my left ear & violins in my right while Stern sits unmatchable in the middle is a simple joy! I have it on infinite repeat on Spotify too. Just wonderful!
I. Stern radiates the finesse, the dynamics and the beautiful musical lyrical melody. The vibrant intensity of the violin reinforces the orchestra's musical composition brightness. Beauty...an overwhelming cascade of clarity conducted by Maestro Bernstein.
thank you!
Mankind at its highest in MHO.
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