Kevin Drumm - 240412

Review by PAULEEN SMITH

240412, the latest album by Kevin Drumm, showcases the artist's exceptional talent in creating experimental soundscapes. The album is a collection of four tracks, each of which is a mesmerizing journey through a vast sonic landscape.

The first track, "Turning Point," starts with a low, rumbling drone that gradually builds in intensity, creating a sense of tension and unease. The track then takes a turn towards more abstract, chaotic sounds, with Drumm layering various textures and tones to create a complex and dynamic composition.

The second track, "A Mirror On Which To Dwell," is a haunting and atmospheric piece that features subtle melodies and eerie sound effects. Drumm's use of space and silence is particularly effective here, creating a sense of emptiness and desolation that is both beautiful and unsettling.

The third track, "Hitting The Pavement," is perhaps the most energetic and upbeat of the album, with Drumm using distorted guitar riffs and heavy percussion to create a driving, almost danceable rhythm. However, even in this more upbeat context, Drumm still manages to create a sense of tension and unease, through his use of dissonant melodies and unexpected sound effects.

The final track, "The Back Room," is a slow, meditative piece that features long, sustained notes and gentle drones. This track is perhaps the most peaceful and contemplative of the album, providing a welcome respite from the more chaotic and intense tracks that precede it.

Summary by PAULEEN SMITH

240412 is a stunning achievement, showcasing Kevin Drumm's exceptional talent as a sound artist. Each track is a unique and immersive experience, drawing the listener into a world of abstract sound and texture. Highly recommended for fans of experimental music and avant-garde sound art.