Mikey Dread King Tubby & Michael Campbell - Love The Dread Internal Energy
Table of Contents
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Filename: mikey-dread-king-tubby-michael-campbell-love-the-dread.rar- MP3 size: 12.6 mb
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Tracks
Track | Duration | Preview |
---|---|---|
Internal Energy | ||
Love The Dread |
Video
MIKEY DREAD -LOVE THE DREAD
Mikey Dread - Love The Dread 1979
Mikey Dread * Love The Dread
Images
Labels
Dread At The ControlsListen online
- ouvir online
- lyssna på nätet
- ascolta in linea
- escuchar en línea
- kuunnella verkossa
- écouter en ligne
- online luisteren
- online anhören
- lytte på nettet
Formats
- Vinyl
- 7"
Companies
Role | Company |
---|---|
Distributed By | Federal Record Mfg. Co. Ltd. |
Credits
Role | Credit |
---|---|
Producer | Michael Campbell |
Notes
THIS LABEL VARIATION IS DISTRIBUTED BY VPBarcodes
- Matrix / Runout: DSR5518A M CAMPBLE LOVE THE DREAD
- Matrix / Runout: DSR 5518 B INTERNAL ENERGY
About Mikey Dread King Tubby & Michael Campbell
Radio disc jockey, studio engineer, singer and producer.
b : 4 June 1954 in Port Antonio, Jamaica.
d : 15 March 2008 in Stamford, Connecticut, USA.
Founded the label, which was named after his radio show on JBC. He worked with in the early 1980's, producing the single "Bankrobber" and mixing dub versions for their "Black Market Clash" and "Sandinista!" albums.
Real Name
- Michael George Campbell
Name Vars
- D.A.T.C.
- Dread
- Dread At The Controls
- Dread At The Controls Production
- M. Dread
- Michael Dread
- Mickey Dread
- Mikey
- Mikey \
- Mikey 'Dread At The Controls' Dread
- Mikey Draad
- Mikey Dread (D.A.T.C)
- Mikey Dread (D.A.T.C.)
- Mikey Dread At The Controls
- Mikey Dread I
- Mikey Dread Sound
- Mikey Dread Sounds
- Mikey Dread Style
- Mr. Dread
- The Dread At The Controls
Aliases
- Michael Campbell
- The Reggae Music Master
Comments
Quoting Mikey Dread From the book Bass Culture - When Reggae was King:
‘It was Tubby who encourage me to get into recording. He was aware of the Dread at the Controls show late night on J B C from when it started, and I would go to him from time to cut my jingles. I went to Tubby's in 1977 to cut one on a riddim that he had called “Psalm of Dub”, this is when I was getting in plenty fights at the station about my show and I want to do this likkle thing because mi know the more I play it back on air the more I am putting out a message to the people who are giving me a fight. It went [toasts] The Dread you have to love / The Dread you have to love / The Dread/you have to love ‘cause 'im the Doctor of the Dub / The Father up above he say rub he say dub… And Tubby hear it and say “Bwoy Mikey. That sound like it longer than a jingle, I feel you're gon’ make a record of it. Why you don' jus' go in there and finish it?” So I go back inside the studio and finish it as a full-length track, and Tubbs tell mi, “All right! All you need now is to make your own label.”
‘We were both laughing about it, because I jus’ see it as a dub plate, but Tubbs tell me it serious and, from back then he tell me I need to take this business seriously because I have all the right ideas. I start the Dread at the Controls label from there, and that, “Love the Dread”, was the first release. Number seven in the Top 10.
‘It was Tubby who encourage me to get into recording. He was aware of the Dread at the Controls show late night on J B C from when it started, and I would go to him from time to cut my jingles. I went to Tubby's in 1977 to cut one on a riddim that he had called “Psalm of Dub”, this is when I was getting in plenty fights at the station about my show and I want to do this likkle thing because mi know the more I play it back on air the more I am putting out a message to the people who are giving me a fight. It went [toasts] The Dread you have to love / The Dread you have to love / The Dread/you have to love ‘cause 'im the Doctor of the Dub / The Father up above he say rub he say dub… And Tubby hear it and say “Bwoy Mikey. That sound like it longer than a jingle, I feel you're gon’ make a record of it. Why you don' jus' go in there and finish it?” So I go back inside the studio and finish it as a full-length track, and Tubbs tell mi, “All right! All you need now is to make your own label.”
‘We were both laughing about it, because I jus’ see it as a dub plate, but Tubbs tell me it serious and, from back then he tell me I need to take this business seriously because I have all the right ideas. I start the Dread at the Controls label from there, and that, “Love the Dread”, was the first release. Number seven in the Top 10.
Carlton Patterson & Leroy brown -not responsible
Psalms of Dub - King Tubby
blood fire real tune seventies Mikey had his time when him rule dread at the control This is real DUB
Crucial
Irie !
Long live the dread. Never forget
:D OH yes this is a riddim
The Best Reggae Dub is back... Thanks!
Next classical riddim, love the toasting.....
4 sure !!!!!!!
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