About Group - Youre No Good Theo Parrish Translation

Review by Lynda McGill

The album You're No Good Theo Parrish Translation by About Group is a unique and captivating musical experience. The album features a collection of tracks that have been reimagined and remixed by the renowned DJ and producer Theo Parrish.

The tracks on the album are a blend of different genres, including jazz, soul, and electronic music, and are all infused with Parrish's signature sound. The album's opening track, "There's a World," sets the tone for the rest of the album, with its hypnotic rhythms and soulful vocals.

Throughout the album, About Group's original tracks are transformed into something entirely new and exciting, with Parrish's remixes adding layers of depth and complexity to the music. The album's standout tracks include "All Is Not Lost," which features a stunning vocal performance by Alexis Taylor, and "After Hours," a hauntingly beautiful track that showcases the album's unique blend of genres.

Download About Group - Youre No Good Theo Parrish Translation

Artist: About Group
Album: Youre No Good Theo Parrish Translation

House

2011

Rating: 4.16

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Filename: about-group-youre-no-good-theo-parrish-translation.rar

MP3 size: 15.2 mb
FLAC size: 76.8 mb

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Tracks

Track	Duration	Preview
You're No Good (A Theo Parrish Translation)
You're No Good (Mokmix)

Video

About Group - You're No Good

Images

Album herunterladen About Group - Youre No Good Theo Parrish Translation

Catalog Numbers

RUG397TX

Labels

Domino

Listen online

online luisteren
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lyssna på nätet
online anhören
lytte på nettet
écouter en ligne
kuunnella verkossa
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ouvir online

Formats

Vinyl
12"

Notes

In plain white sleeve.

Barcodes

Matrix / Runout (Side A): RUG 397 TX A-1
Matrix / Runout (Side B): RUG 397 TX B-1

About About Group

previous recording:

Members

John Coxon
Charles Hayward
Pat Thomas
Alexis Taylor

dominorecordco.com

Summary by Lynda McGill

You're No Good Theo Parrish Translation by About Group is a must-listen for fans of experimental music and anyone looking for a fresh and exciting musical experience. The album's seamless blend of different genres and Parrish's masterful remixes make it a standout release in the world of electronic music.

Comments

markimhos

drums section terrific

bienvenurabe

so good

leahhuffersolomon

A little Jenny Holzer mixed with post 90s awareness (the verve), hip hop, audience bearing, Zappa stage language, and righteousness allowing innocence; even when some expect the exaggerated results; larger closeups, faster cuts, face smacking go pro hoops in black rooms, and surround sound O̶t̶i̶s̶ ̶R̶e̶d̶d̶i̶n̶g̶ Otis Reddit . ..Let me get my cup of coffee now. There is a 1/2 second use of the alarm sound in Riley's piece; other than that, but inclusive of that, is a subtle dry joke about secondhand remixing, as mixing is potentially infinite, even if its just retakes on Killing Me Softly; this is how it would sound when a rock and roll band covers a phasing remix of a pop song. It is 90s style, because that is indicative of the nit picky group that moves around, switching between bands, with the nerdy front man that looks like "Weird Al." Within this composure, small details are unavoidable, If you've ever edited under the mindset of selecting 1 second of green screen and transparency filters to allow visual contextual play to exist between the space where the t shirt words merge with the hula hoops, then you know what i'm talking about; its not accidental. They were thinking about Terry Riley . Most people wouldn't see that' or at least concur with its presentation. I just hope they realize this.

rosaines4

what a surprise to hear j.lennon is still alive!

everlastingfriendsforever

Alexis you´re soooooo good :D But your hair is.....undescriptible :/

fadlidm

looking forward to see you in Brussels in September !

sec01

I wanted to like this more than I did. It's a pleasant cover of the original Harvey Averne track but doesn't engage with any of the looping/tape techniques in Terry Riley's piece. Well performed, but it doesn't really have anything do with Riley's work.