Desprez, A Sei Voci - Missa De Beata Birgine Motets À la Vierge

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Review by 時藤 資樹

The album Missa De Beata Birgine Motets À la Vierge by Desprez, A Sei Voci is a stunning musical masterpiece that showcases the beauty and grandeur of Renaissance-era choral music. The album features a collection of motets and mass settings, all dedicated to the Virgin Mary, and performed by the renowned vocal ensemble A Sei Voci.

The album opens with the title track, Missa De Beata Birgine, a breathtaking mass setting that features intricate polyphonic harmonies and soaring vocal lines. The choir's impeccable blend and balance create a rich, full-bodied sound that is both uplifting and awe-inspiring. The album also includes a number of motets, such as Salve Regina and Ave Maria, which are equally impressive in their complexity and beauty.

Throughout the album, A Sei Voci delivers a stunning performance that is both technically flawless and deeply expressive. The choir's mastery of the repertoire is evident in their precise articulation and phrasing, as well as their ability to convey the emotional depth and spiritual significance of the music.

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Artist: Desprez, A Sei Voci
Album: Missa De Beata Birgine Motets À la Vierge

Table of Contents

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Filename: desprez-a-sei-voci-missa-de-beata-birgine-motets-la-vierge.rar
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Tracks

TrackDurationPreview
Agnus Dei I1:30
Kyrie - Christe Eleison1:07
Credo - Patem Omnipotentem2:38
Tu Solus - Prima Pars2:35
O Virgo Prudentissima - Seconda Pars3:26
Agnus Dei III1:42
Sanctus 1:41
Stabat Mater Dolorosa - Seconda Pars3:17
Offertoire - Ave Maria Gratia2:35
Introït2:25
Benedictus - Hosanna In Excelcis
Inviolata, Integra Est Casta Es Maria - Prima Pars2:05
Benedictus - Benedictus Qui Venit In Nomine Domini1:55
Credo - Et In Spiritum Sanctum2:15
Kyrie - Kyrie Eleison0:44
Gloria - Gloria In Excelcis Deo, Et In Terra Pax3:31
Ave Maria4:32
O Virgo Prudentissima - Prima Pars2:58
Tu Solus - Seconda Pars1:34
Gloria - Cum Sancto Spiritu In Glorio Dei Patris1:10
Gloria - Qui Tollis Peccata Mundi3:08
Credo - Crucifixus Etiam Pro Nobis Sub Pontio1:26
Inviolata, Integra Est Casta Es Maria - Tertia Pars1:22
Sanctus - Pleni Sunt Caeli1:20
Sanctus - Hosanna In Excelcis0:49
Inviolata, Integra Est Casta Es Maria - Seconda Pars1:20
Stabat Mater Dolorosa - Prima Pars3:21
Agnus Dei II 1:43

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Catalog Numbers

E 8560

Labels

Astrée Auvidis

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Formats

CD

Credits

RoleCredit
Baritone VocalsJames Gowings, Jean-Louis Georgel
Bass VocalsBernard Fabre-Garrus, Yves Bergé
Countertenor VocalsJean-Louis Comoretto, Raoul Le Chenadec
Mezzo-soprano VocalsCatherine Joussellin
Soprano VocalsCatherine Padaut
Tenor VocalsJean-François Chiama, Jean-Marie Puissant, Thierry Bréhu

Notes

  • ℗ 1995 Auvidis France © 1995 Auvidis.
  • [DDD].
  • Recorded at Abbaye de Fontevraud, 1995.
  • Booklet in French, English & Spanish.
  • Total playing time : 59'14"

Barcodes

  • Barcode: 3298490085608
  • Label Code: LC 7496
  • SPARS Code: DDD

About Desprez, A Sei Voci

Josquin Des Prés (also found as Josquin des Prez, Desprez, Des Prez, etc), and often referred to simply as Josquin, was a Hainaut composer of the Franco-Flemish School of Polyphony. Josquin (derived from the Flemish "Josken") was renowned as a singer, composer and educator. Characteristic of his music are the great transparency and the tight structure, in which the music closely matches the text. In the chanson, in the mid-15th century, he was the main exponent of a new style in which the techniques of canon and counterpoint were applied to secular songs. He has been called the most important composer of the entire Renaissance and worked mainly in France and Italy. Born: c. 1450/1455, in the County of Hainaut (i.e. the present-day Belgium) Died: 1521-08-27 (Condé-sur-l'Escaut, France).

Real Name

    • Josquin Lebloitte

Name Vars

  • Attrib. Josquin Desprez
  • De Prez
  • Deprez
  • Des Pres
  • Des Prez
  • Des Près
  • Des Prés
  • Desprez
  • J Des Pres
  • J. Depres
  • J. Des Pres
  • J. Des Prez
  • J. Des Près
  • J. Des Prés
  • J. Desbrez
  • J. Despres
  • J. Desprez
  • J. Despréz
  • J. de Près
  • J. des Pres
  • J. des Près
  • J. des Prèz
  • J. des Prés
  • J.D. Prés
  • J.Des Pres
  • J.Desprès
  • Joaquim Desprez
  • Joaquin De Pres
  • Joaquin De Prez
  • Joaquin Desprès
  • Joaquin des Prez
  • Joaquin des Prés
  • Josequin Desprez
  • Joskin De Prez
  • Josqion Desprez
  • Josquim Després
  • Josquin
  • Josquin (Aetrib.)
  • Josquin D'Ascanio
  • Josquin Dascanio
  • Josquin De Pres
  • Josquin Deprez
  • Josquin Deprès
  • Josquin Des Peres
  • Josquin Des Pres
  • Josquin Des Prez
  • Josquin Des Près
  • Josquin Des Préz
  • Josquin Des prez
  • Josquin DesPrez
  • Josquin Despres
  • Josquin Desprez
  • Josquin Desprès
  • Josquin Després
  • Josquin Despréz
  • Josquin Dezprez
  • Josquin DAscanio
  • Josquin Lebloitte Dit Des Prez
  • Josquin de Pres
  • Josquin de Prez
  • Josquin de Prés
  • Josquin des Pres
  • Josquin des Prez
  • Josquin des Près
  • Josquin des Prés
  • Josquin des Préz
  • Josquin dés Prés
  • Pres
  • Tillskriven Josquin Des Prez
  • Yosquin Desprez
  • de Pres
  • des Pres
  • Ж. Депре
  • Жоскен Де Пре
  • Жоскен Депре
  • Жоскин Депре

Aliases

  • Jusquin D'Ascanio
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Summary by 時藤 資樹

Missa De Beata Birgine Motets À la Vierge is a must-listen for anyone who appreciates the beauty and power of choral music. A Sei Voci's performance is truly exceptional, and the album as a whole is a testament to the enduring legacy of Renaissance-era music.